The First Syntax Rebellion is a series of conceptual work that examines biocolonialism and the role of Indigenous people as subjects within the Human Genome Project and other biogenetic research projects that have mined and commodifed the genetic material of Indigenous people and their environments. “The First Syntax Rebellion” mimics the form of shiny, brightly colored pieces of candy, like bite-sized Jolly Ranchers or Chiclets, as a whimsical means of bringing Indigenous biocolonial discourse into the popular culture imagination — emphasizing processes of consumption and gratification. The work utilizes the Cherokee syllabary as indivisible semiotic reference to Cherokee culture, identity and genomic sequence. The syllabary text is arranged in various abstractions mimicking a microscopic view of DNA. The text, itself, does not spell out any specific message. Instead, through abstraction by syntax rebellion, it conceals embedded meanings of the sacred and processes of cultural transfer. The First Syntax Rebellion is available at Chiaroscuro Contemporary Art in Santa Fe, New Mexico.
The First Syntax Rebellion, 2a & 2b, 2008, 24”x12” mixed-media on wood.
The First Syntax Rebellion, 4a & 4b, 2008 , 12”x18” mixed-media on wood.
The First Syntax Rebellion, 5a & 5b, 2008, 12”x18” mixed-media on wood.
